In the realm of art analysis, understanding the visual clarity of compositions is key. Researchers from the Okinawa Institute of Science and Technology (OIST) have developed a new metric inspired by digital artists, aimed at quantifying clarity in digital images. This innovation allows for precise tracking of structural changes in artworks, whether they occur during the creative process or through physical transformations.
This new metric could significantly enhance analysis and decision-making in both scientific and creative fields, offering a fresh way to evaluate and understand image structure. The research, published in the journal PNAS, has been tested on both digital artworks and physical systems.
At the core of the methodology is a simple approach drawn from the practice of digital artists zooming out to assess their work. The researchers created a mathematical method, accessible at a high-school level, to measure "clarity" in digital images. This metric quantifies how well visual elements retain their clarity when blurred, offering a new tool to bridge the gap between physics and art for scientific analysis and creative endeavors.
The method involves blurring images by randomly swapping adjacent pixels and comparing the original with the blurred version. The degree to which the original structure remains intact is measured, with higher scores given to images where the structure is still recognizable, even after blurring. Images that become chaotic or solid in color after blurring score lower.
"In our study, 'clarity' is defined as the resistance to blurring or structural degradation. This aligns with the artistic practice of zooming out to evaluate how clear an artwork appears. Mathematically, clarity can be linked to the contrast of colors and their spatial distribution," explained Prof. Eliot Fried, head of the Mechanics and Material Unit.
This metric preserves color diversity and remains effective even after image compression. It is versatile, helping to analyze various images, detect structural changes in physical systems, and integrate with color theory, which examines how colors interact and influence perception. Essentially, it quantifies how much of an image’s pattern survives random alterations.
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"Artists are always experimenting with their compositions and techniques. The idea came to me while creating an emote. As an experimental physicist, I wanted to develop metrics that can measure artistic qualities like clarity, balance, and harmony. We hope this tool will allow art researchers to experiment with different compositions and document their findings in an objective, quantitative manner," said Dr. San To Chan, researcher and first author.
In the context of digital art, an "emote" refers to small expressive images or animations often used to convey emotions, especially on platforms like video games and streaming services.
Guided by this metric, the team created an emote for the video game Holo X Break, showcasing how their research can apply to commercial art projects. Dr. Chan, a fan of the virtual YouTuber (VTuber) Sakura Miko, chose to feature her in this study. He is part of her fanbase, "35P," and had previously worked with other fans to animate her for a billboard display in Times Square. This project connected his passion as a fan with his scientific expertise.
In addition to his research, Dr. Chan is a freelance artist with contributions to indie game development, including projects like Holocure. The study's strength lies in its incorporation of works from peer artists, creating a robust foundation for the analysis.